A door to the future has been opened
Movers have the ability to pull people from the future into the present day. Time travel is not only possible, it terrifies the authorities. Regular readers might remember that I reviewed Movers a couple of weeks ago. I was struck by the relevance of certain themes to the present day, and enjoyed the complex world McIssac has created.
Time travel, morals and strong female characters. There was so much I wanted to ask McIssac, and I am thrilled to be able to share her answers with you.
Welcome Meaghan McIsssac, and many thanks for your time.
Movers is set in world where people from the future at trying to immigrate to the past. It also features an organisation who are vehemently opposed to this movement. To what extent was this inspired by current events? Why did you decide to explore this through Sci-Fi?
I hadn’t really been considering any specific current event when I set out to write Movers over five years ago now. The idea actually came from something I’d read from Stephen Hawking who said that one of the most compelling reasons for Time Travel not existing is that, if it did, we would be inundated with immigrants from the future. What a wild thought. What would that world look like? How would people now react to people from tomorrow? How would the government handle it? And the world took shape from there. I’ve definitely been struck by how applicable Movers has become to events unfolding in the news every night since then. So while I didn’t necessarily set out to comment on any current events, I think it’s great that people are able to engage with Movers, and Sci-fi as a whole, to help navigate and make sense of important discussions surrounding those events . Sci-fi may take us to new worlds, but it also reflects the one around us. And I think that’s what makes it so captivating.
Pat’s mother is a movement advocate. Other parents in the story are against movement. How can fiction help young readers to shape their own political views?
I’m definitely not looking to shape anyone’s “political views” but I do think fiction can have an impact on a young reader’s moral compass and view of the world. Through Sci-fi, and all fiction, really, young readers are confronted with big questions and extreme dilemmas, but let’s face it, life is filled with these things too, and young people are forced to confront big questions by virtue of the world we live in today. Heck, I’m thirty and still figuring out my place! My hope is that fiction and story can provide an exciting and safe space to engage those questions, to sort out their feelings and reflect on thoughts and ideas that they hadn’t considered.
Were there any challenges to writing time-travel?
Oh gosh, yes. Paradoxes, paradoxes, paradoxes. Time travel is one big tangled hairball of paradoxes. Think of Terminator — ‘Wait, if John Conner’s dad goes back in time to save his mom so that John Connor can be born, but his dad can only be his dad if John Connor is born in the first place to send him back in time, what comes first? What?… No wait…What?” This is ALL YOU THINK ABOUT in a time travel story. Not John Connor, no, but problems like these. If this plus this equals that, but this can only exist if that exists too…Oh goodness. The brain melts. So trying to patch up these tricky problems is a BIG challenge and requires a lot of organization. I am not the best at organization. I spent a lot of time doodling diagrams and moving skittles across my desk to try and get the answers I needed. Also lots of problem-solving sessions with friends and family and editors helped immensely. Time travel is a tricky beast, but it’s also a lot of fun.
How did you plan a novel set in the future?
Again, a lot of doodles. To be honest, I went into the time travel part of it a little naive. It wasn’t until I was revising that I realized how much planning would have helped avoid the paradox problems. So for book 2, which takes place both in the past and the future, I had multiple diagrams in my notebook of timelines with plot points marked on each one. I can’t recommend timelines enough. They change as the story develops, asking you to redraw them again and again, but they are so worth it for keeping the story organized.
Your female characters include intelligent Gabby and strong Rani. How did you make them into fully-rounded characters?
I don’t do anything special for my female characters vs. my male characters. I just try to write convincing people — their fears, desires, their secrets and they just grow as the story unfolds. Writing is such a crazy process, because you make up these people and you think they are exactly who you want them to be, but it doesn’t take long for characters to take on a life of their own. Before you know it, they are saying and doing things you never planned for them to do. It’s kind of spooky, but exciting. Gabby and Rani came together the same way Pat did, the same way Roth and Leonard did — I set them free in my brain and they started saying and doing things that were totally them. It’s the best part of crafting a story, watching your characters become who they are!
Huge thanks to Meaghan McIssac for your time, and to Harriet Dunlea at Andersen Press for arranging this opportunity.