About Rosie Loves Jack:
Rosie loves Jack. Jack loves Rosie.
Rosie would spend every day and every hour with her boyfriend Jack, but due to a brain injury sustained when he was born, Jack finds it difficult to control his temper. After an incident at college, Jack goes away to learn some anger management techniques.
Rosie’s Dad says this is the last straw. He sees is as an opportunity to put an end to the relationship between Rosie and Jack.
Rosie has other ideas. She may have Down’s Syndrome but she’s not going to let that define her and she’s not going to let her Dad treat her like a small child. Rosie leaves home in search of the boy she loves – even though people think girls like Rosie can’t survive a journey like that on their own.
What makes Rosie Loves Jack special? Aside from Rosie’s voice, which is so distinctive, it will remain with you love after you close the book, I love the fact that the book confronts the fear and prejudice around people with neurological conditions, mental health problems, and additional needs. Jack certainly needs to learn to control his temper, but there are reasons why it is taking him longer to learn those behaviours than other people. Rosie’s Dad, like many people in the real world, judges Jack on one aspect of his condition and not on his whole personality.
It is a deep irony that some people are more willing to forgive behaviour in those without additional needs. Everyone deserves the chance to grow. In the end, it is Rosie’s Dad who has to confront his own prejudice.
Mel Darbon wrote this story because of the attitudes towards her brother. It is a sad fact that people with additional needs face a hard time – for example, only 16% of adults on the autistic spectrum are in full-time employment, and even fewer in a job which matches their abilities. People are more willing to overlook issues in those with strong communication skills than in those with a genuine need for empathy and patience. Statistics like this will not change unless, as a society, we decide to show more tolerance.
The novel gives voice to a group who are not often heard.
As part of the blog tour, we were asked to choose from a series of questions. Like many characters, Rosie and her father undergo big emotional changes. I have written about what it is like as a reader to follow a character through their story.
What is it like to follow a character’s emotional journey?
What makes something a story instead of a lump of writing?
There are many answers to this question, but it begins with the protagonist – the main character who drives the story. Once upon a time there was a person with a flawed world-view. This person wanted something very much. Something stood in their way. There you have the (very very) basics of a story. The result of this is, of course, that writers put their protagonists through the wringer. Before we get to the end of the story, we know the protagonist will have faced many challenges and we know they will have developed their world-view as a result.
The question I chose to answer for the blog tour related specifically to these turning-points – the moment when the protagonist grows and changes as a result of their experience. How does it feel, as a reader, to follow these emotional journeys?
If we connect with a character – and particularly if we identify with their flaw – it can feel as if we have walked a thousand miles in their shoes. As if we were part of the journey and have undergone the same transformation. We may not have gone to wizard-school or crossed the seas, may not have been called up for the Hunger Games or trained a dragon but we can undergo the same learning journey as the character. This is why fiction is an important part of life and why it is the greatest teacher of empathy. It takes us to places we are unlikely to reach to help us change our worldview.
Reaching a turning-point in the story is an almost-spiritual moment. Whether this is the first book we have ever read or the six-thousand and fourth, we know it is coming. The character has been pushed to their lowest ebb and we know this is the moment where they will have to confront their attitudes. As readers, we come in one step ahead of the protagonist, and there can be a great satisfaction in turning the page and seeing a character come to the same realisation.
Then comes the action-sequence. The moment where the protagonist lifts their head and walks to face their final challenge. This is a moment of empowerment for the reader, too, because we see that internal changes can result in proactive changes in life. If the character’s situation can change as a result of their growth, maybe we can change our own lives too. Maybe we change the world for others.
This is why I struggle to understand when people talk about fiction as if it is a form of light entertainment or a hobby which should be saved for the weekend. Fiction is empowering and it teaches us more about the world than our day-to-day lives ever can. Fiction gives us new approaches and it helps us to believe we can make a change.
Thanks to Usborne Publishing LTD for my copy of Rosie Loves Jack.