Janet had never understood, not until she’d turned the thin brown pages of Dolores Wood’s novel, that other girls might feel the way she did. That a world existed outside the one she’d always known.
(Pulp by Robin Talley. P36.)
1955: Janet Jones is in love and she has finally discovered a romance novel she can relate to. Reading Pulp fiction helps Janet to embrace her feelings for her friend Marie. Everything should be perfect, except it is practically a crime to be gay in 1955 DC. As Janet comes to terms with her feelings, she begins to write fiction of her own, but her writing puts both herself and her friend in danger.
2017: Abby Zimet’s family is falling apart and her relationship with Linh is over. As she struggles to deal with her feelings, Abby becomes more engrossed in her senior creative writing project: an attempt to write a subverted pulp novel. The more research she does, the more Abby longs to talk to author Marian Love.
Sometimes a book just blows you away. Pulp did that to me.
It is a story about love, a story about prejudice and a story about writing. It is about a specific genre of fiction which emerged in reaction to prejudice faced by very real people who just wanted the freedom to love. It captures two time periods in the same city. Two generations of young adults forming their identities.
Both Abby and Janet discover pulp fiction for the first time, but they discover it in totally different eras. Pulp novels were often forced to show drastic endings which warned women off such ‘behaviour’ but these endings could be tacked on to narratives about genuine romance. To Janet in 1955, this is groundbreaking. It is the first time she has heard voices like her own. To Abby in 2017, these novels are in need of an update. I love how we see their contrasting reactions. We come to empathise with people who are living in a climate of censure and what it means to get around those restrictions and read something even partially like your own experience.
The story will speak to anyone who has come out or struggled to form their own identity, about how much comfort there is in fiction and in knowing that there are other people who feel the same way as ourselves.
As someone trying to bridge the gap between writing for myself as writing as a career, this story spoke to me in volumes. It showed so much about the writing process which a lot of people are often unaware of – how genres often conform to patterns, how writers both consciously and subconsciously emulate other writers, and how stories often begin with something from real life. It showed how much work it takes to get to one complete manuscript (hint: there’s a volume of work behind book one) and how authors sometimes wish they could revise their early novels.
A couple of reviews have suggested that this book is hard to follow. I’m going to dispute that although I understand how the reviewers came to that conclusion. Throughout both storylines there are extracts from other works – books read and written by Abby and Janet. Two of these feature heavily, to the point where you might try to follow the fictional characters’ stories. My advice? Don’t treat these as additional plotlines. They teach us so much about the characters we are investing in, the characters we are following, but don’t mistake them for additional stands of the plot.
Aside from that, I loved the characterisation. Abby is so set on one version of happily-ever-after but she grows and changes a lot over the course of the novel in a way which felt realistic. This is a strong narrative for older YA readers and one which lots of adults will relate to with hindsight.
If you love realistic and heartfelt contemporary novels or novels which celebrate all things literary, give Pulp a go. It’s one of the special ones.
Thanks to Young Adult HQ and Nina Douglas PR for my copy of Pulp. Opinions my own.