Blog Tour: Michelle Harrison, author of A Pinch Of Magic, talks about curses in folklore.
About A Pinch Of Magic.
Betty Widdershins longs to leave the family home on the island of Crowstone and explore the world. Crowstone is bleak and oppressive with its marshes and tower and prison and Betty is certain there must be more to the world. Then she learns that she and her sisters are bound by an ancient family curse to stay on the island for the rest of their lives …
I have been a fan of Michelle Harrison’s work for years. Her novels combine the folklore and old traditions which I knew and loved as a listener of folk music with page-turning adventures. A Pinch Of Magic is no exception. To read my full review, click here.
I wanted to hear more about the curse which inspired the story, and what draws Michelle Harrison to folklore. She has not only answered those questions, but she has also made me think more deeply about what the curse in her story meant to its caster.
Thank you to Michelle Harrison for your time.
Curses in Folklore by Michelle Harrison
Folklore has featured in every book I’ve written to date, whether it’s wishing, witches, or ways of protection against malevolent fairies. As a horror-loving teenager I was obsessed with folklore in its modern form of urban legends. I was also terribly superstitious – something I’ve managed to get under control over the past few years, although it’s still an effort not to salute solitary magpies!
The concept for A Pinch of Magic came from the Essex village of Canewdon. It’s said that there will always be six witches there, and whenever one dies a stone falls from the church walls. The thought of stones falling out of an ancient building to warn of approaching death was something I found incredibly eerie, and evolved into the idea of a family curse. In my story, Betty Widdershins learns of the curse on her thirteenth birthday: no Widdershins girl can ever leave the island of Crowstone. If they do, they’ll die by the next sunset. Along with her sisters, Fliss and Charlie, Betty sets out to break the curse with the help of three magical items which have also been passed down the family: a hand mirror, a set of nesting dolls, and an old carpet bag. But are the objects enough to help them, or will they lead to more trouble?
It’s easy to understand the enduring appeal of a curse within a story. Many of us believe in luck, and we’ve all had times when it seems nothing more can go wrong or, conversely, we’re having such a run of good fortune we start to worry that it’s all about to crash down around us. The idea of curses plays on our fears; what if there are forces we can’t control working against us? Or, more frighteningly, someone who wishes us harm? We know the intent to curse is real enough – witch ladders and wax figures in museums all over the country are proof of the malevolent workings of dismissed servants and spurned lovers.
With our childhoods steeped in tales of spinning wheels and pricked fingers, it’s no wonder curses are rooted in our consciousness. Yet perhaps there’s another reason we find them so fascinating, even if we don’t like to admit it; they feed our desires for good old revenge – and gossip. Because curses aren’t thrown around lightly. There’s usually a reason, whether its jealousy, rivalry, or payback. When I created the Widdershins curse, I knew what it was, but not why – or with whom – it had begun. I only knew it would have come from a serious grudge against the family, and as I unpicked the knots and worked it all out the lines between villain and victim blurred. As Betty discovers, the wicked witch is not always what she’s made out to be, and perhaps anyone is capable of casting a curse, given the right motivation . . .
Check out the other stops on the tour:
Thank you to Simon And Schuster UK for arranging this piece as part of a promotional blog tour and for providing me with a proof of the book. Opinions remain my own.